Jeff Robb (b. 1965) is a British artist whose open, experimental practice combines cutting-edge technology with historic artistic techniques to produce distinctive photographic and sculptural works. Best known for his lenticular photographic pieces focused on the female nude and abstract forms, Robb has more recently begun producing bronze sculptures that combine advanced digital modeling technology with traditional casting methods, extending his practice into three dimensions while maintaining his commitment to the experimental spirit that has always defined his work.

Born in Derbyshire in the United Kingdom, Robb pursued his formal artistic training at the Royal College of Art, where he graduated in 1992 with a master's degree in fine art holography, a relatively rare specialization that gave him an unusual technical foundation for his subsequent career. Shortly after graduating, Robb was invited to submit a landscape work to the Victoria and Albert Museum, which became the first ever hologram artwork purchased by the museum. This early institutional recognition confirmed the seriousness of his approach and helped establish his position as one of the leading British artists working at the intersection of contemporary photography and new media technology.

Robb's photographic practice combines his passion for the natural world with sustained experimentation in three-dimensional imaging technology. His chosen flowers and other natural subjects are meticulously captured through the lens of 3D photography, and these captures then form the basis for his digital sculpting process. Through ingenious technical procedures, including his distinctive method of folding paper while the ink is still moist, Robb achieves a remarkable bilateral symmetry in his artworks, prompting viewers to discern intriguing shapes and associations within the resulting stains. This Rorschach-like quality gives his images their particular contemplative resonance.

Robb's work has been widely exhibited internationally, and his pieces have entered significant public and private collections. He continues to work from his London studio, extending his ongoing investigation of the possibilities that emerge when contemporary technology meets traditional artistic craft. His practice remains one of the more inventive examples of the meeting of digital and analog approaches in contemporary British art.