A rising generation is collecting art rooted in the characters and visual language of their youth, with artists like Edgar Plans expanding a movement poised for long-term cultural and market significance.

Singier’s Portrait Flammand exemplifies the wit and depth of postwar European abstraction, a category still undervalued compared to American counterparts and ripe for broader collector interest.

Newly acquired 19th-century works reveal the era’s emotional richness and technical mastery, prompting reflection on themes — especially motherhood — that may yet reemerge in contemporary figurative art.

Lynn Davis’s monumental iceberg photographs are gaining renewed relevance as visually arresting, environmentally resonant works that continue to strengthen their position in the secondary market.

A record Vasa sale underscores rising demand for his resin works and reaffirms Taylor Graham’s long-held view that Mihich’s meticulously engineered sculptures carry enduring long-term value.

Jasmina Danowski’s work has embodied a purity of approach over the years that is consistent and inspiring. She has technically honed her skills over years of dedicated practice but remained unfettered in her intuitive approach to painting.

November 2025’s auction season signaled a shift back toward historically grounded Impressionist, Modern, and Surrealist works, with the strongest activity in the $50,000–$2M middle market as collectors moved away from speculative Contemporary art.