Seton Smith (b. 1955) is an American photographer whose atmospheric large-scale images of architectural interiors have secured her a distinctive place within contemporary photography. Born into one of the most artistically distinguished American families of her generation, Smith is the daughter of the sculptor Tony Smith and the sister of the celebrated artist Kiki Smith. This extraordinary artistic inheritance shaped her sensibility from her earliest years, and she has built her mature practice within a family context that continues to influence contemporary American art at the highest level.

Smith pursued her formal artistic training at Hampshire College in Massachusetts, receiving the interdisciplinary education that would give her the intellectual breadth to develop her own personal photographic vocabulary. She has spent much of her working life dividing her time between New York and Paris, and this transatlantic residency has given her practice a genuinely cosmopolitan character.

Smith's mature work centers on large-scale photographs of architectural interiors, staircases, hallways, corridors, and other transitional spaces within historic and contemporary buildings. Her characteristic images are marked by soft focus, elongated formats, and a distinctive atmospheric quality that transforms familiar spaces into evocative, dreamlike environments. Working with an unusually reduced focal precision and printing at monumental scale, she produces pictures that hover between clear documentation and painterly abstraction, giving her images a genuinely singular character within the field of contemporary architectural photography. Her subjects often carry the accumulated weight of historic use, and her images invite the viewer to consider the human presence implied by empty rooms and unused stairs.

Smith has exhibited widely in Europe and the United States, and she has been represented by leading contemporary galleries including Galerie Nelson-Freeman in Paris. Her photographs have entered significant international collections, where they remain among the more contemplative contributions to contemporary photography from an artist whose family legacy she has extended into her own genuinely personal artistic direction.