Jacques Martin-Ferrières (1893-1972) was a distinguished French Post-Impressionist painter whose long career carried forward one of the most celebrated painterly lineages in early twentieth-century France. Born in Saumur, he was the son of the renowned painter Henri Martin, one of the leading French Post-Impressionist masters, whose atmospheric divisionist landscapes had made him one of the most collected French painters of the Belle Époque. Jacques was raised in an artistic household where painting was central to daily life, and his father's studio provided the earliest and most influential foundation for his own artistic education.

Martin-Ferrières pursued formal artistic training at the École des Beaux-Arts in Paris, working under Maurice Brianchon and receiving the disciplined academic grounding that would give his mature practice its technical polish. His painting draws deeply on the divisionist idiom developed by his father, whose softened, atmospheric approach to pointillism had become one of the signature styles of early twentieth-century French landscape painting. The younger Martin-Ferrières carried this vocabulary forward into his own generation while developing a warmer, slightly bolder palette that distinguished his work from that of his father.

Martin-Ferrières traveled extensively throughout France and abroad, producing an extensive body of paintings devoted to the French countryside, particularly the sun-drenched villages of Provence and the Mediterranean coast, the picturesque medieval villages of the Lot Valley including Saint-Cirq-Lapopie, and the harbor towns of Brittany and Normandy. He also painted extensively in Italy, Spain, and North Africa, producing luminous foreign landscapes that expanded the range of his subject matter without ever abandoning the essentially French sensibility of his practice.

Martin-Ferrières exhibited widely throughout his career at the major Parisian venues and received important recognition for his work. His paintings found ready audiences among French and international collectors of Post-Impressionist landscape painting. His works are held today in French regional museums and in significant private collections around the world, where they remain among the most consistently beloved examples of French Post-Impressionist landscape painting in the twentieth century.