Georges d’Espagnat (1870–1950) was a French painter, printmaker, and illustrator associated with Post-Impressionism and closely connected to the Nabi circle and the development of modern decorative painting in early 20th-century France. Born in Melun, France, d’Espagnat studied at the Académie Julian in Paris, where he was exposed to progressive artistic ideas that encouraged experimentation beyond academic tradition. Early in his career, he became associated with leading avant-garde artists, including Pierre Bonnard, Édouard Vuillard, and Henri Matisse, whose influence helped shape his expressive use of color and flattened compositional space.

D’Espagnat’s work is characterized by vibrant color, simplified forms, and a strong decorative sensibility. He painted a wide range of subjects, including landscapes, still lifes, interiors, and figures, often emphasizing harmony and atmosphere over strict realism. His paintings reflect a balance between structure and spontaneity, combining bold color relationships with carefully considered compositions. His approach aligned with Post-Impressionist ideals, prioritizing emotional resonance and visual unity rather than literal representation.

Throughout his career, d’Espagnat exhibited at major Parisian venues, including the Salon des Indépendants and the Salon d’Automne, and he gained recognition for both his paintings and his graphic work. In addition to his easel paintings, he produced lithographs and illustrations that demonstrated his versatility and refined sense of design.

Today, Georges d’Espagnat is regarded as an important figure in early modern French art. His work reflects the transition from Impressionism to more expressive and decorative modern styles, contributing to the broader evolution of European painting in the early 20th century.