Gaspare Galeazzi (1800-1883) was an Italian sculptor active during the nineteenth century, a period that saw Italian sculpture continue to hold its central role within European art through the sustained authority of the classical tradition. Working in the wake of Antonio Canova and Bertel Thorvaldsen, the two great masters whose Neoclassical vocabulary defined sculptural practice across much of Europe in the early nineteenth century, Galeazzi belonged to the generation of Italian sculptors who carried this refined language of proportion, drapery, and idealized figuration forward through the middle decades of the century.

Galeazzi worked primarily in white marble, the medium most closely associated with the great Italian sculptural tradition, and produced portrait busts, allegorical and religious figures, and decorative works for private patrons and institutional commissions. His technique is marked by the fine finish, precise anatomical modeling, and quiet, inward emotional register that characterized nineteenth-century Italian portrait sculpture at its best. Working within the well-established Italian workshop tradition, Galeazzi would have been trained through the network of Italian academies that continued to shape the discipline throughout his lifetime, and he would have signed his works in the traditional manner with the abbreviation F for the Latin fecit, meaning "he made it."

Nineteenth-century Italian sculpture supported an enormous international market, and sculptors like Galeazzi found patrons among Italian, European, and increasingly American collectors who traveled to Italy to acquire works directly from the studios. His sculptures are appreciated today as accomplished examples of the enduring classical tradition, produced during one of its most technically refined periods.