Earl Beauford Miller (1926–1993) was an African American painter, printmaker, and collage artist celebrated for his engagement with social and cultural themes through modernist visual language. Born in Chicago, Miller received formal training at Roosevelt College, the Illinois Institute of Technology, Pratt Institute, the Art Students League, and the Brooklyn Museum Art School. He furthered his studies in Germany at the Akademie der Bildenden Künste, where exposure to European modernist movements profoundly shaped his artistic approach. 

In the early 1960s, Miller became a member of the Spiral Group, a collective of Black artists, including Romare Bearden and Norman Lewis, who explored how art could respond to the Civil Rights Movement. His work from this period is characterized by abstraction, vibrant color, and layered compositions, often addressing themes of identity, social justice, and cultural heritage.

Miller exhibited widely, both nationally and internationally, with shows at the Museum of Modern Art, the Studio Museum in Harlem, and the Minneapolis Institute of Arts. In 1964, he participated in the Copenhagen exhibition “Ten American Negro Artists Living and Working in Europe,” reflecting his global presence.

From 1969 onward, Miller taught at the University of Washington, mentoring a generation of artists while continuing his studio practice. His work is distinguished by its fusion of modernist aesthetics with African American cultural and political narratives, cementing his legacy as a vital figure in 20th-century American art.