Gary Komarin (b. 1951) is a contemporary American artist known for his uniquely expressive abstract paintings that incorporate a range of techniques and materials. Born in New York, he pursued his artistic training within the American academic tradition and received his MFA from Boston University, where he studied under the celebrated painter Philip Guston. Guston's influence on his mature practice has been profound, and Komarin has carried forward that master's commitment to painterly directness, unashamed materiality, and the expressive possibilities of unpretentious form.

Komarin's work is characterized by a sense of energy, movement, and spontaneity, as well as a bold use of color and shape. One of the most striking features of his paintings is his use of a limited color palette. His works often feature just a few dominant colors, which he applies with a loose and gestural brushstroke. This creates a sense of depth and texture, as well as a feeling of dynamism and movement. Komarin's paintings are often quite large, which allows the viewer to fully appreciate the interplay of color and form.

Another hallmark of Komarin's style is his use of various materials and techniques to create texture and depth in his paintings. He often incorporates elements such as sand, plaster, or other materials to create a tactile quality in his work. This lends a sense of physicality and adds an extra dimension to his paintings. Komarin also uses a range of brush techniques, from thick impasto to delicate glazes, to create a variety of textures and effects. His signature imagery includes stacked cake forms, wigs, cups, and other quietly suggestive shapes that hover between abstraction and pure form.

Komarin has exhibited widely in the United States and internationally, and his paintings are held in significant public and private collections. His market and critical reputation have grown steadily over the past two decades, and he is recognized today as one of the important contemporary American painters carrying the Abstract Expressionist tradition into the twenty-first century with a fresh personal voice.