Emerson Woelffer
American, 1914–2003Please contact us to inquire about upcoming acquisitions or to sell a work.
Overview
Emerson Woelffer (1914-2003) was a pioneering American painter and collagist whose distinctive expressive vocabulary of pure color, line, and shape secured him a substantial place within postwar West Coast abstraction. His signature works are bold, jagged-edged abstractions that possess an easy inevitability, appearing as though the elements had simply fallen into place of their own accord.
Woelffer was among California's leading painters, collagists, and teachers, and a pioneer of Abstract Expressionism on the West Coast. During the early 1950s he played an instrumental role in introducing the ideas and influences of European Modernism to Los Angeles at a moment when the city's emerging art scene remained largely disconnected from the avant-garde movements taking shape in New York and San Francisco. For this reason he came to be widely regarded as "the grandfather of L.A. Modernism," a figure whose presence helped shape the direction of an entire regional scene.
Woelffer received his training at the School of the Art Institute of Chicago and joined the W.P.A.'s Federal Art Project in 1938. In 1949 he taught at Black Mountain College, the celebrated experimental art school, at the invitation of Buckminster Fuller. He relocated to Los Angeles in 1960, and from 1969 to 1973 he taught at the California Institute of the Arts in Valencia. He later joined the faculty of Otis College of Art and Design in Los Angeles, where he continued teaching from 1974 to 1989 and helped shape several generations of Southern California artists.
Over the course of his career Woelffer was recognized with the Pollock-Krasner Grant and the Francis Greenberger Award, the latter presented in conjunction with the Guggenheim Museum in New York. His paintings, collages, and works on paper have been exhibited widely across the country, and in 2003 he was the subject of a major retrospective at REDCAT Gallery in Los Angeles, curated by his former student Ed Ruscha. His work is held today in significant American museum collections, where it remains valued as an essential contribution to the development of West Coast modernism.