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Gary KomarinThe Geometry of Love, 2022Signed: KOMARIN XX22 along bottom and Komarin 22 three times (verso, on stretchers)Mixed media on canvas72 x 60 inches
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Theodoros StamosRizitika #3, Infinity Field, Creten Series, 1983Signed, titled and dated on the overlapAcrylic on canvas66 x 50 inches
Framed: 67 x 51 inches -
Mary McDonnellDandy Lion, 2017Mary McDonnell (verso)Oil on board48 x 36 x 1 3/4 inches
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Gary KomarinLandscape with a Cup, 2022Signed: KOMARIN 22 along bottom and Komarin 22 (verso, on stretcher), Marked: “Landscape with a Cup” (verso on stretcher)Mixed media on canvas60 x 72 inches
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Theodoros StamosInfinity Field, Lefkada Series, 1979Signed, titled, and dated versoAcrylic on canvas76 x 58 inches
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Mary McDonnellPurple Haze, 2019Oil on panel72 x 60 inches
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Gary KomarinA Suite of Blue Sea, Cap Ferat, 2021Signed: Komarin 21 along bottom and Komarin 2021 (verso) Marked: “A Suite of Blue Sea, Cap Ferat” (verso on center brace) and Don’t Tell South America (verso on underside of brace)Mixed Media on canvas60 x 48 inches
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Theodoros StamosInfinity Field "Jerusalem Series", 1983Signed: "Infinity Field, Jerusalem Series 1983 Estate of" (Verso)Acrylic on canvas61 3/4 x 58 inches
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Mary McDonnellSwing Low, 2018Mary McDonnell (verso)Oil on board14 x 11 inches
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Gary KomarinGateau, 2018Signed: Komarin 22 along base and Komarin 22 (verso) Marked: 2022 / “Gateau” Cake (in circle, verso)Mixed Media on Wood51 x 23.5 inches
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Theodoros StamosInfinity Field Lefkada Series, Red, 1978, 1978Signed: Stamos 1978 (with title, verso)Acrylic on paper30 ¼ x 22 ¼ inches
Framed: 38 ¼ x 30 ¼ inches -
Theodoros StamosInfinity Field, Lefkada Series, “dark”, 1980Acrylic on paper30 x 22 inches
38 1/4 x 30 1/4 inchesSigned, titled and dated on the reverse -
Mary McDonnellBlue Tail Fly, 2018Mary McDonnell (verso)Oil on board14 x 11 inches
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Mary McDonnellHuron, 2019Mary McDonnell (verso)Oil on canvas board42 x 36 x 2 inches
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Jerome KirkUntitled Kinetic Sculpture, 1975Signed: Kirk on base, marked: 4-5-75 (under)15 1/4 x 11 1/2 x 3 3/4 inches
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Casa Velizar MihichParallelogram #2977, 1977Signed: Vasa 2977Acrylic , cast and laminated23 x 11 x 2 1/2 inches
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Vasa Velizar MihichTower 2989, 1991Signed: #2989 Vasa @1991 at baseAcrylic79 1/4 x 8 1/4 x 4 1/2 inches
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José de RiveraUntitled, 1953unsignedAluminum, paint, wood, electric motor74.5 x 50 x 32 inches
46 x 10 x 10 (base)
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Vasa Velizar MihichRC28, 1991#RC28 Vasa © 1991Acrylic, cast and laminated10 x 3 x 1.75
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Vasa Velizar MihichRC31, 1991#RC31 Vasa © 1991 at baseAcrylic, cast and laminated10 x 2.5 x 1.75 inches
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Carl HoltyVise, 1964Signed lower right: Holty; signed, dated, and dedicated versoOil on canvas60 1/4 x 48 1/2 inches
Framed: 61 x 49 inches -
Roger PhillipsFive Triangles on Rods, 2015Signed on base: RP 2015 3/25Stainless steel and enamel paint13 1/4 H x 20 W x 3 D inchesEdition no. 3/25(Edition record)
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Roger PhillipsSingle Red Rectangle, 2017Signed, dated, and numbered underneath: Roger Phillips / 2017 / 2/25Stainless steel and enamel paint7 H x 14 W x 5 1/2 D inchesEdition no. 2/25(Edition record)
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Roger PhillipsWhite Square, Yellow Rectangle (maquette), 2010Signed: RP 6/15 2010 underEnamel, stainless steel and aluminum6 3/4 x 7 3/4 x 4 1/4 inchesThis is #6 from a proposed edition of 15.(Edition record)
Overview
In abstract art, color is often the dominant means of expression and communication. Given primacy over form, line, and content, it leans heavily on the power to convey emotions, moods, and sensations. Common among the artists in this exhibition is their use of color however each have a unique approached, Komarin symbolic and energetic, McDonnell moody and mysterious, Zinsser tactile and explosive, and Stamos atmospheric and serene.
A master of Post-Painterly Abstraction, Gary Komarin has been at the forefront of contemporary art for over a half century. With a bold and colorful style recognized by collectors and curators worldwide, the viewer is invited to enter the intimate space where a dialogue is established between painter and painting.
Mary McDonnell paints complex meditations in color, form, and texture. Utilizing bold brushstrokes, muted colors, layering, and symbols, she creates dynamic and visually striking compositions that evoke a fluid, organic sensations.
Theodoros Stamos, a member of The Irascibles, is best known for his abstract paintings that explore the relationship between color, light, and space who’s legacy as an influential Abstract Expressionist painter endures to this day.
John Zinsser’s paintings, minimalist and monochromatic, are exciting, gestural explorations of space. Weather using subtle transitions from opaque to translucent washes or impossibly thick impasto, layering and interlacing is a large part of Zinsser’s innovative work and the key to his ability to suggest great depth.
Sculpture is three dimensional by nature however kinetic sculpture further explores themes of motion, time, and change, and is meant to be experienced through movement and offers a continuously changing visual experience for the viewer. Rounding out the exhibition are kinetic sculptures by Jose De Rivera, Jerome Kirk, and Roger Phillips.