Jan Müller

German-American, 1922–1958

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Overview

Jan Müller (1922-1958) was a German-born American painter whose brief but powerful career established him as one of the most distinctive figurative expressionists working in New York during the 1950s. Fleeing the Nazi regime in 1933 at the age of twelve, Müller spent the following eight years being separated from and reunited with his family as they sought safety and stability across Europe. During his time in Switzerland he suffered his first bout of rheumatic fever, an illness that would trouble him for the remainder of his life and eventually claim it prematurely.

Müller arrived in New York in 1941 and supported himself through odd jobs while pursuing his artistic training. After a short period at the Art Students League he began five formative years of study with Hans Hofmann, whose celebrated principles of color and structural composition shaped a generation of American painters. Under Hofmann's influence, Müller began to develop his signature mosaic-like approach to painting, in which images are constructed from small dabbed patches of color that gather into figural and narrative compositions. This distinctive style would continue to evolve throughout the 1950s as he pursued his mature practice.

During these years Müller lived in a small studio in lower Manhattan and spent his summers in Provincetown, Massachusetts, where he became part of the vibrant artists' community that included Bob Thompson, Robert Motherwell, and many other important figures of the postwar American art scene. In 1955, following life-saving surgery to repair the heart damage caused by his chronic rheumatic fever, Müller returned to Provincetown to mount a solo exhibition at the newly opened Sun Gallery. That same year he created a series of paintings, each involving a path that meandered through non-descript space, winding and curving upward and through the pictures. His mature work engaged with mythological, biblical, and literary subjects, treating them with the mosaic-like painterly touch that had become his signature.

Jan Müller died in January of 1958 from complications surrounding rheumatic fever at the age of just thirty-five. His paintings are held in significant American museum collections, where they remain among the most poignant achievements of American figurative Expressionism of the postwar era.