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Don Totten1903 - 1967Arizona 2, 1960sSigned: D Totten lower leftOil on canvas61 1/2 x 59 3/4 inches
Framed: 63 3/8 x 61 5/8 inches -
Joan Miró1893-1983Tête, 1968Signed: Miro / 2/2 front of self-base
Marked: FUNDICIO VICTORIA PARELLADA BARCELONA’ front of self-baseBronze34 1/2 x 12 1/4 x 7 3/4 inches -
Carlos MéridaGuatemalan, 1891-1984El Nahuatl, circa 1950Signed: Carlos Merida lower rightGouache and ink on amate paper21 1/4 x 14 1/2 inches,
Framed: 30 1/4 x 23 1/4 -
Francisco ZúñigaMexican, 1912-1998Mujer Sentada con Rebozo (Seated Woman with Shawl), 1974Signed: 1974 Zúñiga at rearBlack Mexican marble, unique19 1/8 x 17 1/2 x 16 1/2 inches
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Bill Barrettborn 1934Balanchine, 2010Original cast bronze model17 1/2 x 12 x 7 inches
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Carl HoltyAmerican 1900-1973Mirage, 1964Signed: Holty (verso),Marked: This is a gift to my wife Elizabeth - Carl Holty 1964 (verso)Oil on canvas60 x 54 inchesFramed: 62 x 56 inches
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Don Totten1903 - 1967Spring, 1950'sSigned: D. Totten lower rightOil on canvas24 1/2 x 22 inches,
Framed: 26 3/8 x 23 3/4 inches -
Bill Barrettborn 1934DNA IV, 2011Signed: Bill Barrett 2011 top of self-baseBronze15 x 17 x 9 inches
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Bill Barrettborn 1934Quatro GrandeSigned: Bill Barrett side of one legBronze15 1/2 x 7 1/2 inches
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Carl HoltyAmerican, 1900-1973Collage #385, 1958Signed: Carl Holty 58 lower right,Gouache and collage on paper12 x 9 inches,
Framed: 19 1/2 x 16 1/2 inches -
Deborah ButterfieldAmerican, born 1949Tango, 1987This work is accompanied by a certificate of authentication issued by the Butterfield studio.Welded steel29 x 39 1/2 x 16 inches
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Carl HoltyAmerican, 1900-1973Collage III, 1958Signed: Holty 58 lower leftGouache collage paper12 x 9 inches,
Framed: 19 1/2 x 16 1/2 inches -
John Joseph BoyleAmerican, 1852-1917Indian Capturing an Eagle, 1905Signed:: JJ Boyle / 05 on self-base
Inscribed: To my dear friend / Leslie W. Miller / From the author
Marked: Roman Bronze Works N.Y. / N 5,Bronze, dark brown patina18 1/2 x 11 1/4 x 12 1/2 inches -
Bill Barrettborn 1934Untitled, 1991Signed: Bill Barrett 91 on one elementBronze15 5/8 x 11 x 6 3/4 inches
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Carl HoltyAmerican, 1900-1973Collage #392, 1957Signed: Holty - 57 lower left,Marked: 392 (verso)Gouache and collage on paper12 x 9 inchesFramed: 19 1/2 x 16 1/2 inches
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Bill Barrettborn 1934El Grande Model, 1983Bronze
Edition of 1213 1/2 x 4 1/4 x 4 inches -
Don Totten1903 - 1967Portuguese Bend, 1958Signed: D Totten lower rightOil on canvas48 x 55 inches
Framed: 49 7/8 x 56 1/2 inches -
Carl HoltyAmerican, 1900-1973Flowering, 1961Signed: Holty lower rightOil on canvas38 x 36 inches,
Framed: 40 x 38 inches
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Carl HoltyAmerican, 1900-1973Forms A, Sketchbook #4, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 1/2 x 4 3/8 inches sightFramed: 16 1/2 x 14 1/2 inches
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Don Totten1903 - 1967Counterpoint, circa 1960Signed: D Totten lower rightOil on Masonite34 3/8 x 25 inches
Framed: 36 1/8 x 27 3/4 inches -
Carl HoltyAmerican, 1900-1973Collage IV, 1958Signed: C Holty - 58 lower leftGouache collage paper12 1/4 x 9 inches,
Framed: 19 1/2 x 16 1/2 inches -
Carl HoltyAmerican, 1900-1973Ink Study IIII A ,Sketchbook #4, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 5/8 x 4 3/8 inches sightFramed: 16 1/2 x 14 1/2 inches
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Vasa Velizar MihichYugoslavian - American, born 1933Parallelogram #2977, 1977Signed: Vasa 2977Acrylic23 x 11 x 2 1/2 inches
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Carl HoltyAmerican, 1900-1973Ink Study IIII B, Sketchbook #4, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 1/2 x 4 1/2 inches sight,
Framed: 16 1/2 x 14 1/2 inches -
Don Totten1903 - 1967Drawing on Top, 1950'sSigned: D. Totten lower right
Estate Stamped versoOil on canvas30 1/8 x 26 1/8 inches
Framed: 31 7/8 x 27 7/8 inches -
Don Totten1903 - 1967Construction, 1963Signed: D Totten lower rightOil on canvas48 x 49 1/2 inches
Framed: 49 7/8 x 51 3/8 inches -
Carl HoltyAmerican, 1900-1973Ink Study V B Sketchbook #4, c. 1935Signed: Holty Estate Signature stamp lower rightInk and graphite on paper6 3/4 x 4 1/4 inchesFramed: 16 1/2 x 14 1/2 inches
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Carl HoltyAmerican, 1900-1973North by Northwest, 1960Signed: Carl Holty (verso)Oil on canvas66 x 50 inches,
Framed: 67 3/4 x 51 3/4 inches -
Carl HoltyAmerican, 1900-1973Ink Study VI A Sketchbook #4, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 1/2 x 4 1/4 inches
Framed: 16 1/2 x 14 1/2 inches -
Formento & FormentoRachele VII, Palmdale CACircumstance seriesArchival pigment print20 x 30 inches, Framed: 21.7 x 31.7 inches
30 x 45 inches, Framed: 31.7 x 46.7 inches
40 x 60 inches, Framed: 41.7 x 61.7 inches
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Formento & FormentoRachele XX (Rachelle XX), Palmdale CA, 2010Circumstance America SeriesArchival pigment print30 x 45 inches,
31 1/2 x 46 1/2 inches -
Carl HoltyAmerican, 1900-1973Ink Study VI B Sketchbook #4, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 1/4 x 4 3/8 inches sightFramed: 16 1/2 x 14 1/2 inches
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Don Totten1903 - 1967Grays, 1950'sSigned: D Totten lower rightOil on Masonite25 x 34 1/2 inches
Framed: 27 x 36 1/4 inches -
Carla Jay HarrisAmerican, b. 1987Ascension, 2021Signed: Unsigned, certificate of authenticity available,Edition: 1 of 2 + APHand embellished pigment print mounted on Dibond33 x 45 1/4 inches,
Framed: 34 1/2 x 46 1/2 inches -
Ernest BriggsAmerican, 1923–1984Untitled Abstract, 1959Signed: E Briggs 5/59 lower rightWatercolor on paper14 3/4 x 22 1/4 inches,
Framed: 22 3/4 x 30 inches -
Mary McdonnellGold Stacks , 2019Signed: Mary McDonnell / 2018-19 (verso)
Marked: "GOLD STACKS" (verso)Oil on panel60 x 36 inches -
Jared Young ChongAmerican 1904-1990Valley Moon, 1976Signed: Jerry Chong / '76 lower rightRice paper, dye and acrylic collage on board35 3/4 x 47 3/4 inches,
Framed: 37 1/2 x 49 3/4 inches -
Carla Jay HarrisAmerican, b. 1987Two Lovers, 2021Signed: Unsigned, certificate of authenticity available,Edition: 1 of 2 + APHand embellished pigment print mounted on Dibond40 1/4 x 57 1/4 inches,
Framed: 41 1/2 x 58 1/4 inches -
Jared Young ChongAmerican 1904-1990Fiesta, 1974Signed: Jerry Chong / '74 lower rightRice paper, dye and acrylic collage on Masonite23 3/8 x 35 3/4 inches,
Framed: 25 3/4 x 37 3/4 inches -
Robert CookAmerican, 1921 -2017Laying Down Camel, 1987Signed: R Cook 87 underBronze5 1/4 x 12 3/4 x 9 1/4 inches
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Formento & FormentoKarima IVCircumstance SeriesArchival pigment print20 x 30 inches, Framed: 21.7 x 31.7 inches
30 x 45 inches, Framed: 31.7 x 46.7 inches
40 x 60 inches, Framed: 41.7 x 61.7 inches -
Allen George NewmanAmerican, 1875-1940The Hiker, modeled 1904, this cast 1910Signed: Copyright 1904 / by Allen G. Newman /Sculptor (self base, proper left),Marked: JNO Williams Inc / Bronze Foundry NY (edge of self base, proper right)Stamped: 1134 / C.23 (under)Bronze28 3/8 H x 13 1/2 W x 10 1/4 D inches
Overview
Taylor Graham presents a curated selection of paintings, sculpture, and photography by artists who capture the essence of the American Southwest. These works celebrate the region’s complex history and cultural identity, blending traditional American themes with both historical and contemporary perspectives.
Bill Barrett, working from his Santa Fe studio, creates sculptures deeply influenced by the Southwest landscape. His monumental works, displayed globally, and locally, including his LV III, located at the Appaloosa Public Library in Scottsdale, just miles from the Scottsdale Art Week fair venue.
Don Totten, influenced by California’s light and landscape, created distinctive Modernist canvases between the late 1940s and 1960s. A follower of Stanton Macdonald Wright, Totten’s work uniquely merges European modernist sensibilities with his own innovative approach.
Formento and Formento’s photography, meticulously staged and lit with local models, captures the essence of place. Their Circumstance series (2008-2010), partially shot in Palmdale, California, exemplifies their ability to evoke the soul of a location.
Carl Holty, a key figure in the American Abstract Artists movement, trained under Hans Hofmann in pre-war Germany and lived in Paris among leading Modernists. Among his finest Color Field canvases are the Southwestern-inspired compositions that reflect the open spaces and vast colors of the desert.
Francisco Zúñiga, born in 1912 in Mexico, is renowned for his expressive depictions of the human form, rooted in his Mexican heritage. While closely linked to Mexican culture, his sculptures also speak to the Southwestern U.S., reflecting the shared historical and cultural exchange between Mexico and the region.
This collection bridges past and present, offering both a historical reflection and a contemporary conversation about the Southwest’s identity and its role in the formation of an American art tradition.