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Hsiao ChinTaiwanese b. 1935Ricordo di Roberto Scuderi, 1961Signed: Hsiao - 1961 [with artists chop] (l.r.) Hsiao Chin (verso),Marked: “Ricordo di / Roberto Scuderi” / 1961 (verso)Oil on canvas47 1/8 x 55 inchesFramed: 51 1/4 x 59 inches
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Zero HigashidaJapanese, born 1958Shiki, 1996signedWood, stainless steel, steel27 x 11 1/2 x 6 1/2 inches
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Zero HigashidaJapanese, born 1958Sinjin, 2010Stainless steel11 1/2 x 17 x 7 3/4 inches
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James Hiroshi SuzukiAmerican, b. 1933March 1, 1960Signed: Suzuki lower left and titled and James Suzuki 1960 (verso),Marked: March 1 (verso)Oil on board20 1/4 x 15 inchesFramed: 25 1/4 x 19 1/2 inches
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James Hiroshi SuzukiAmerican, b. 1933Monet Composition, 1957Signed: Suzuki ‘57 lower leftOil on canvas16 1/2 x 25 1/2 inchesFramed: 22 3/4 x 32 inches
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James Hiroshi SuzukiAmerican, b. 1933Untitled, 1960Signed: Suzuki (l.r.) and J. Suzuki 1960 (verso),Inscribed: BIBI (verso)Oil on canvas26 x 19 1/2 inchesFramed: 36 1/2 x 30 1/2 x 2 inches
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Masayuki NagareJapanese, 1923 - 2018Remembered Promise, 1968Signed: 1968 / Nagare (under main element)Granite on separate granite base15 x 38 3/4 x 14 3/4 inches
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Kenzo OkadaAmerican, 1902-1982Silver + White, 1978Signed: Kenzo Okada lower left
Marked: Silver + White / 1978 (verso on stretcher)Oil on canvas39 x 34 3/4 inches,
Framed: 42 1/2 x 83 1/4 inches -
Kikuo SaitoJapanese - American 1939-2016Jeanette’s Square, 1987Signed: Kikuo Saito (verso),Marked: Jeanette’s Square” / 1987 (verso)Acrylic on canvas58 3/4 x 84 1/4 inchesFramed: 60 x 85 3/4 inches
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Kikuo SaitoJapanese - American 1939-2016Eva’s Jump, 1975Signed: Kikuo Saito 1975 (verso),Marked: “Eva’s Jump” (verso)Acrylic on canvas50 x 40 inches Framed: 53 3/4 x 43 5/8 inches
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Kikuo SaitoJapanese - American 1939-2016Copper Train, 1988Signed: Kikuo Saito (verso)
Marked: "Copper Train" 1988 (verso)Acrylic on canvas79 x 91 inches -
Kikuo SaitoJapanese - American 1939-2016African Rain, 1988Signed: Kikuo Saito (verso)
Marked: African Rain / 1988 (verso)Acrylic on canvas55 1/2 x 80 inches,
Framed: 57 1/4 x 81 5/8 inches -
Kiyoshi OtsukaJapanese 1944- 2020UntitledSigned: Kiyoshi Otsuka (verso)Acrylic on canvas48 x 60 inches
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Hajime KatoJapanese, 1925-2000Untitled, 1971Signed: Kato 71 lower right
Marked: Kato / Paris 1971 (verso)Oil on canvas35 x 45.75 inches
Framed: 38 x 48.75 inches -
Minoru NiizumaJapanese-American 1930-1998Castle of the Eye, 1972Signed: Ni [in Japanese] on base
Marked 10/10 on baseBronze15 1/8 x 4 5/8 x 4 5/8 inches -
Tsugio HattoriJapanese-American 1951-1998Kikko, circa 1988Signed: T Hattori lower right with Japanese charactersAcrylic on canvas44 x 56 inches
Framed: 46 x 58 inches
Overview
Emerging in New York in the 1940s and 50s, Abstract expressionism was as a style of painting that emphasized spontaneous and gestural brushstrokes and embraced the physical act of painting itself. The impact of this movement’s radical departure from traditional representational art had a profound impact on non-European painters, especially those from Latin America and Asia, many of which were seeking to break away from the European artistic traditions that had dominated their countries for centuries and were looking for new forms of expression.
Combining elements of culturally traditional painting with the gestural brushstrokes and bold color palette of abstract expressionism, this group of artists sought to create a unique fusion of Eastern and Western styles. Featuring bold, abstract forms, they embraced the spontaneity and energy of the Abstraction Expressionist movement, fused with traditional motifs, creating new and innovative styles that reflected their own cultural heritage. Through their work, they helped to bridge the gap between Eastern and Western art and paved the way for the development of modern and contemporary art in Asia.