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Carl HoltyBiomorphic Abstraction, c. 1936Signed: Carl Holty lower leftGouache on paper16 1/4 x 23 1/8 inches (sight)
Framed: 24 1/2 x 31 1/2 inches -
Carl HoltyCubist Figure, c. 1930Signed: Holty Estate signature stamp lower rightInk on paperSight: 13 3/4 x 10 3/8 inches
Framed: 27 x 23 1/2 inches -
Carl HoltyFigure Composition #1, c. 1930sSigend: Holty Estate signature stamp lower right11 1/2 x 17 1/4 inches
Framed: 21 1/4 x 27 inches -
Carl HoltyCollage #385, 1958Signed: Carl Holty 58 lower right, marked: - up / The vertical heat of the sun. The colors of the rainbow / but hardened and unpretty / Carl Holty 1958 (verso) Carl Holty / No .4 / Collage 385 (Graham gallery label verso)Gouache and collage on paper12 x 9 inches
Framed: 19 1/2 x 16 1/2 inches -
Carl HoltyCollage #383, 1958Signed: Carl Holty lower right, Marked: #2 / up / The blue grillwork on a bridge structure i.e. / a structure [illeg] by a bridge becomes unreal / through the interference of the alien reds. / Carl Holty - 1958 (verso) Carl Holty / No. 2 / Collage 383 (Graham gallery label, verso)Watercolor and collage on paper15 1/2 x 10 1/4 inches
Framed: 22 1/2 x 17 inches -
Carl HoltyCollage #395, c. 1957Signed: Holty estate stamp lower rightGouache and collage on paper14 1/2 x 9 1/2 inches
Framed: 22 1/2 x 17 inches
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Carl HoltyCollage I, 1959Signed: C Holty 59 lower leftWatercolor and gouache, collage13 1/2 x 9 inches
Framed: 22 1/2 x 17 inches -
Carl HoltyCollage II, 1958Signed: C Holty 58 lower leftWatercolor, gouache, and collage12 x 9 inches
Framed: 22 1/2 x 17 inches -
Carl HoltyDessin #3, 1931Holty estate signature stampInk on paper5 3/4 x 4 3/4 inches sight
Framed: 17 1/2 x 16 1/2 inches -
Carl HoltyDessin #5, 1931Signed: Holty Estate signature stamp lower leftInk on paperSight: 6 x 7 5/8 inches
Framed: 16 1/2 x 17 1/2 inches -
Carl HoltyEscapades #348, c. 1945Signed: Holty Estate signature stamp lower rightGouache on paperSight: 11 1/2 x 17 1/2 inches
Framed: 21 1/2 x 27 1/2 inches -
Carl HoltyForms and Figures #3; Sketchbook #3, c. 1935Signed: Holty Estate Signature stamp lower rightGraphite on paperSight: 7 1/4 x 10 1/4
Framed: 18 x 16 inches -
Carl HoltyForms B, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 1/2 x 4 3/8 inches sight
Framed: 16 1/2 x 14 1/2 inches -
Carl HoltyInk Study V A, c. 1935Signed: Holty Estate signature stamp lower rightInk and graphite on paper6 1/4 x 4 3/4 inches
Framed: 16 1/2 x 14 1/2 inches -
Carl HoltyLady by the Sea VI, 1933Signed: CR Holty’ 33 lower rightGraphite on paperSight size: 10 x 14 1/2 inches
Framed: 20 1/4 x 25 1/4 inches -
Carl HoltyLady by the Sea XIV, 1933Signed: CRH lower rightGraphite on paperSight size: 9 5/8x 12 5/8 inches
Framed: 20 x 22 1/4 inches -
Carl HoltyLady by the Sea XV, 1933Signed: CR Holty’ 33 lower rightGraphite on paperSight size: 7 1/2 x 10 1/2 inches
Framed:20 x 22 1/4 inches -
Carl HoltyParis Four Figures, 1930Signed: Holty Estate signature stamp upper left (under mat)Ink on paper5 1/4 x 4 inches sight
Framed: 17 1/2 x 16 1/2 inches
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Carl HoltyReclining Figure, c. 1935Signed: Holty Estate signature stamp lower right under mountWatercolor and graphite on paper8 3/4 x 11 3/4 inches
Framed: 17 3/4 x 21 inches -
Carl HoltySeated Figure I, 1933Signed: Carl Holty lower right under mat,Charcoal pencil on paperSight: 8 x 6 inches
Framed:18 x 16 inches -
Carl HoltyUntitled #374, c. 1951Estate stamp, versoWatercolor on paper9 x 12 inches
Framed:17 1/4 x 20 1/4 inches -
Carl HoltyInterior, 1941Signed: Carl Holty (verso), Marked: Milwaukee Art Center label (verso)Oil on panel59 1/2 x 22 1/2 inches (sight)
Framed: 68 1/4 x 31 1/4 inches -
Carl HoltyUntitled #1600Oil on canvas68 x 42 inches
Framed: 70 x 44 1/2 inches -
Carl HoltyColor Study #227Signed: Holty lower rightWatercolor on paperSight size: 6 1/4 x 5 1/2 inches
Framed: 14 1/2 x 13 1/2 inches -
Carl HoltyColor Study #222Signed: Holty lower leftWatercolor on paperSight size: 6 1/2 x 5 1/2 inches
Framed:14 1/2 x 13 1/3 inches -
Carl HoltyColor Theory #586, 1972Signed: Holty lower center, Marked: ETTA 1972 / ‘72 / 586 (verso) Andrew Crispo Gallery label (verso), Estate of Carl Holty stamp, versoOil on canvas mounted on Masonite12 x 9 inches
Framed: 20 x 17 inches -
Carl HoltyColor Theory #554, 1955Stamped: Holty Estate signature stamp lower right, Marked: 554 (verso) Andrew Crispo Gallery label (verso), Estate of Carl Holty stamp, versoOil on canvas mounted on Masonite12 x 9 inches
Framed: 20 x 17 inches
Overview
Best known for his large color field canvases from the mid 1950s through the 1960s, German born American Abstractionist Carl Holty had a lively and prolific early career. Beginning in the mid 1920s in Germany under Hans Hofmann, Holty moved to Paris in the 1930s where he exhibited with the Abstraction-Création group founded by Theo van Doesburg. Holty embraced all of the “isms” Paris had to offer, Synthetic-Cubism, Biomorphism, Neo-Plasticism, producing a diverse but cohesive body of drawings and paintings in ink, graphite, and gouache. Returning to New York, Holty reconnected with Vaclav Vytlacil, whom he had met in Paris, joining him in the foundation of the American Abstract Artists group. It was at this time Piet Mondrian, recently arrived in New York himself, convinced Holty to embrace pure abstraction.