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Guy Carleton WigginsAt Madison Square, c. 1945-50Signed: Guy Wiggins (l.l.), Marked: At Madison Square / Guy Wiggins NA. (verso)Oil on canvas board16 x 20 inches
Framed: 22 x 26 inches -
Wolf KahnGreen Mountain Orchards: Rain Approaching, 1978Signed: W Kahn (l.r.); Marked: titled (on stretcher, verso), #33 1978’ (artist’s inventory number, verso)24 x 34 inches
Framed: 27 3/4 x 37 3/4 inches -
Roger BrownDancing Houses - The Earthquake of 1994, 1994Titled & signed on versoOil on canvas48 x 72 inches
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Ilya BolotowskyPale Tondo, 1961Signed, titled and dated 1961 on the stretcherOil on canvas23 1/2 inches in diameter
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Lin EmerySpring, 2010Polished aluminum42 H x 25 W x 18 D inches
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Gene DavisHive, 1969Acrylic on canvas68 x 105 inches
Framed: 69 1/4 x 106 1/4 inches
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Deborah ButterfieldSmall Dry Fork Horse, 1978Wood and wire28 x 47 x 13 inches
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Boris Lovet-LorskiCretan Dancer, 1930Signed and dated on base: BORIS.LOVET-LORSKY. 1930Polished bronze on wood base24 3/4 H x 39 W x 10 D inches
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José de CreeftEcstasy, 1956Signature inscribed on back: J. de CreeftAlabaster15 H x 15 W x 10 D inches
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March AveryOn the Dam, 1962Signed: March Avery 62 (l.l.) and signed and titled on stretcher (verso)Oil on canvas16 x 24 inches
Frame: 20 1/4 x 28 1/4 inches -
Larry RiversSelf Portrait , c. 1961Stamped with name in stencil on frontOil on canvas30 x 30.125 inches
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Harry BertoiaSonambient with Heavy Cattails, c. 1970Beryllium copper rods and cylinders silvered to brass base22 3/4 x 7 7/8 x 7 7/8 inches
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Harry BertoiaUntitled (Sonambient), circa 1968Beryllium copper rods with bronze cattails silvered to a brass base34 1/4 H x 7 3/4 W x 7 3/4 D inchesAccompanied by a certificate of authenticity from the Harry Bertoia Foundation, signed by Celia Bertoia, Director.
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Julian StanczakStratified, 1978Signed: Julian Stanczek 78 / © (verso), Marked: Julian Stanczek “Stratified” 78 (on stretcher, verso)Acrylic on canvas50 x 80 inches
Framed: 50 3/4 x 80 3/4 inches -
Jay RosenblumChrysalis III, Circa 1979Signed and titled versoOil on canvas50 x 50 inches
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Ilya BolotowskyBlue Horizontal, 1968Signed, titled, and dated versoOil on wood5 1/8 x 12 1/2 inches
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Ilya BolotowskyTrylon Blue and Yellow, 1972Signed and dated lower edge: Ilya Bolotowksy 72Acrylic on wood48 H x 8 W x 7 D inches
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Hilton BrownAmbivalence Series 2 — No. 1, 1964Signed, titled, and dated versoAcrylic on canvas50 x 60 inches
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Hilton BrownHomage to the Immaculates, 1965Signed and titled versoAcrylic on canvas50 x 60 inches
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Arnold A. BlanchThe Waterfront, 1955Signed and dated lower right: Arnold Blanch 1955Oil on board12 3/4 x 20 1/4 inches
Framed: 18 3/4 x 26 3/4 inches -
Elizabeth CatlettStepping Out, Circa 2000Bronze31 H x 9 1/2 W x 7 D inches
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Dale NicholsAutumn Furrows, 1938Signed and dated lower leftOil on canvas30 x 36 inches
Framed: 35 1/2 x 39 1/4 inches -
Martha WalterGathering Place, North AfricaSigned lower left: Martha WalterWatercolor on paper8 1/2 x 6 1/4 inches
Framed: 17 x 15 inches -
Vaclav VytlacilAbstraction, 1938Signed and dated upper right: VYTLACIL 1938Tempera on board24 x 18 inches
Framed: 28 5/8 x 22 5/8 inches -
Sir William Hamo ThornycroftOpen Championship Horticultural Prize of 1921, Circa 1921Signed: Hamo Thornycroft 1921; inscribed: Presented by TOOGOOD and Sons LTD, South Hampton Seedsmen to H.M. THE KINGBronze relief with a polished surface11 1/4 H x 6 3/4 W inches
Framed: 25 3/4 H x 20 1/2 W inches -
William Thomas SmedleyReady to Go, 1906Signed lower leftOil on canvas50 1/4 x 26 inches
Framed: 59 x 35 inches -
Henry Merwin ShradyStanding Hunter Stallion, 1903Signed: HM Shrady / 1903 (top of self base)Bronze22 1/4 x 21 7/8 x 6 1/8 inchesMarked: Roman Bronze Works N-Y- (edge of self base)
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William S. SchwartzLilly, 1929Signed and datedPlaster mounted on Marble base17 H x 13 W x 7 1/2 D inches
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Robert RichenburgMOMA Collage, 1960Torn and pasted paper on cardboard22 x 28 inches
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Albert WeinFastball, 1977Signed "Wein 2/13" on proper right heelBronze on marble base19 1/8 in x 18 3/4 in x 6 inEdition 2 of 13
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Albert WeinDemeter, 1947Signed and dated: WEIN sc 1947; numbered: 1/12; stamped: TX (Tallix foundry mark)Bronze with a bluish-green patina
Mounted on a turned Black Marble base26 H x 11 W x 11 D inchesFirst in an edition of 12 -
William ZorachSerenity , 1947Green Maine Granite11 1/2 H x 5 W x 10 1/2 D inches
Overall with base: 15 1/4 H x 5 W x 10 1/2 D inchesUnique piece
Overview
The American Art Fair's online event, May 15 - 22nd, kicks off with an in person open house, May 15th from 11 am - 6pm. On view at Taylor Graham are selections from inventory and new acquisitions. Highlights include Robert Richenberg’s MOMA Collage, included in the Museum of Modern Art’s 1961 exhibition The Art of Collage, a marvelous Self-Portrait by Larry Rivers painted in 1961, two rural landscapes by Wolf Kahn and a New York City scene, At Madison Square, by Guy Wiggins. Sculpture highlights include José de Creeft's masterful direct carved Ecstasy in alabaster from 1956, Elizabeth Catlett's striding bronze Stepping Out, 1987, and Boris Lover-Lorski's gleeming burnished bronze Cretan Dancer, 1930.
Just Off Madison returns this Spring with an in person open house at Upper East Side American galleries. On view in the main room at Taylor Graham are a group of hard edge abstractions by Americans from the mid 1960s through the mid 1970s including Julian Stanczak, Gene Davis, Ilya Bolotowski, Jay Rosenblum, and Hilton Brown. A range of works of sculpture include Japanese direct carver Masayuki Nagare, found object sculptor Deborah Butterfield, acrylic modeler Vasa Velizar Mihich, sounding sculpture by Harry Bertoia, and bronzes in the American figurative tradition by Elizabeth Catlett, Albert Wein, Jose de Creeft, and Harriet Whitney Frishmuth.