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Alfredo PinaTorse D'AdolescentSigned behind left leg: A. Pina; Identified on base plaque: TORSE D'ADOLESCENT / PAR A. PINABronze44 1/2 H x 16 W inches
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Frederic Porter VintonPortrait with Yellow Shawl and Fan, Circa 1880sIdentified on fragmentary labels on versoOil on canvas30 x 24 inches
Framed: 40 1/2 x 34 1/2 inches -
Alfred Emile Leopold StevensTous les Bonheurs, 1880Signed and dated lower right: A. Stevens '80Oil on canvas44 1/2 x 33 1/2 inches
Framed: 54 3/4 x 43 3/4 inchesAccompanied by a letter of authenticity from William A. Coles, dated June 15, 1989 -
Emile-René MénardBaigneuse au CrépusculeSigned lower rightOil on board10 1/2 x 14 3/8 inches
Framed: 17 3/4 x 21 3/4 inches -
Joseph MozierSpring, 1869Signed and dated: J. Mozier. Sc: Rome 1869White marble31 1/2 H x 17 1/2 W inches
70 1/2 inches total height with base -
Albert WeinNuage, 1969Carved Carrara Marble
Mounted on a Black Marble base10 1/2 H x 10 1/2 W x 4 3/8 D inchesUnique piece
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Albert WeinDemeter, 1947Signed and dated: WEIN sc 1947; numbered: 1/12; stamped: TX (Tallix foundry mark)Bronze with a bluish-green patina
Mounted on a turned Black Marble base26 H x 11 W x 11 D inchesFirst in an edition of 12 -
Albert WeinHomage to Béla Bartók, Conceived 1947, cast 1987Inscribed: WEIN SC 1947 / © ’87 / 3/12; stamped with Tallix foundry markBronze with verdigris
Mounted on a Black Marble stand18 H x 6 W x 7 1/2 D inchesThird in an edition of 12 -
Albert WeinDancing Girl, 1947-48Bronze15 H x 5 W inches
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Joan MiróTête, Conceived 1968, cast between 1968-73Signed and numbered: Miró 2/2; foundry mark on back of base: ParelladaBronze with original patination21 1/2 H x 11 1/2 W x 5 1/2 D inchesSecond in an edition of 2
The authenticity of this work has been confirmed by ADOM -
Formento & FormentoSmoking Nun, Cinecitta, Italy, 2012Signed, numbered, and labeled verso by the artistsArchival Pigment PrintMedium: 30 x 45 inches (Edition of 12 + 2 AP)
Large: 40 x 60 inches (Edition of 7 + 2 AP)Printed on Harman paper
Framed under UV Plexiglas in a black wooden frame
Inquire for edition and pricing -
Aaron SiskindPleasures and Terrors of Levitation, Printed 1980sGelatin Silver Print13 5/8 x 13 7/8 inches
Framed: 25 1/4 x 21 1/4 inches -
Marie LaurencinUne Jeune Femme avec un ChienSigned lower right: Marie LaurencinWatercolor on paper17 1/2 x 13 1/2 inches
Framed: 34 1/2 x 28 1/2 inchesThe authenticity of this work has been confirmed by expert Daniel Marchesseau, and the piece is registered in his archives. -
Jules PascinPrintemps, 1917Signed lower left; titled and dated lower rightOil on canvas28 1/8 x 20 3/8 inches
Framed: 32 5/8 x 27 inchesAccompanied by a certificate of authenticity from Mr. Abel Rambert -
Philippe HiquilyGirouette Marbella, 2009Each piece signed and numbered on edge of base: HIQUILY EA 4/4Steel with a black patina40 H x 25 W x 25 D inches (largest)Composed of three separate pieces
Fourth Artist Proof in an edition of 8 plus 4 Artist Proofs
This piece has been authenticated by the Comité Hiquily. -
Franz HagenauerBorzoiNickel-plated Bronze14 1/2 H x 14 1/2 W x 3 1/8 D inches
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Franz HagenauerThe Couple, Circa 1930sStamped: FRANZ HAGENAUER WEIN with WHW monogram behind each figure and again on underside of baseChrome-plated Brass19 H x 10 W x 4 D inches
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Franz HagenauerThe Profile, Circa 1930sStamped: HAGENAUER with WHW monogramWood, Chrome, and Brass13 1/2 H x 9 W x 4 D inches eachPair of two figures, one facing left, the other facing right
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Frederick William MacMonniesBacchante with Infant Faun, 1894Inscribed F. MacMonnies; stamped with the Roman Bronze Works N-Y- foundry mark and dated 1894Bronze with a dark green and brown patina33 1/8 H x 10 W inches
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Julius Leblanc StewartThe Clearing, 1897Signed and dated upper left: JL Stewart 1897Oil on canvas36 1/2 x 17 1/4 inches
Framed: 46 1/4 x 27 1/4 inches -
Paul-César HelleuNu EndormiSigned lower right: HelleuRed conte crayon and pencil on paper17 3/4 x 27 inches
Framed: 29 x 39 inches -
Allen George NewmanDoughboy, 1919Signed at left rear vertical edge of base: © 1919 BY / ALLEN G. NEWMAN; stamped at left rear vertical edge of base: IDEAL CASTING CO PROV RIBronze with a brown patina27 1/2 H x 7 3/8 W x 7 1/8 D inches
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Allen George NewmanThe Hiker, Conceived 1904, cast 1910Inscribed along base: Jno. Williams. Inc. / Bronze Foundry. N.Y.' and 'Allen George Newman Sc / MCMX; stamped on underside of base: O.B. 1691. / C. No. 10Bronze with a dark brown patina28 3/8 H x 13 1/2 W x 10 1/4 D inches
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William Lamb PicknellHunting, Pont-Aven, 1887Signed and dated lower right: W.L. Picknell / Pont-Aven 1887Oil on canvas28 1/4 x 21 3/4 inches
Framed: 39 x 32 1/4 inches -
Vincenzo IrolliBimba Al Sole, Circa 1910-15Signed lower left: V. Irolli; inscribed, attributed, and titled verso by previous ownerOil on canvas25 x 25 inches
Framed: 36 1/2 x 36 1/2 inches -
Hippolyte PetitjeanPaysage Idyllique, Circa 1902Signed lower leftOil on canvas23 3/4 x 36 1/2 inche
Framed: 33 1/2 x 46 inches -
Timoléon Marie LobrichonLa Petite Penseur, Circa 1865Signed middle right: T. Lobrichon; dated under spandrelOil on canvas16 1/4 x 13 inches
Framed: 23 3/4 x 20 3/4 inches -
Joseph GoetheWoman with Crossed KneeCarved wood39 1/2 H x 9 1/2 W x 9 1/2 D inches
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Joseph GoetheAbstract Reclining Form, Circa 1955Stamped with Goethe estate cacheCarved wood31 H x 13 3/4 W inches
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Philippe HiquilyGirouette Marbella, 2009Each piece signed and numbered on edge of base: HIQUILY EA 4/4Steel with a black patina40 H x 25 W x 25 D inches (largest)Composed of three separate pieces
Fourth Artist Proof in an edition of 8 plus 4 Artist Proofs
This piece has been authenticated by the Comité Hiquily.
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Ferdinand Victor Léon RoybetThe Favorite of the Harem, Circa 1880Signed lower left: F. RoybetOil on panel20 3/4 x 25 1/2 inches
Framed: 28 1/2 x 33 inches -
John White AlexanderStudy of a Man (with Moustache), circa mid-1890sOil on canvas31 1/2 x 25 1/2 inchesThis painting is included in the records of Alexander expert Mary Anne Goley.
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Harriet Whitney FrishmuthThe Vine, 1921Signed and dated at rear right edge: © 1921 / HARRIET W. FRISHMUTH; stamped at rear left edge: GORHAM CO FOUNDERS / QBWSBronze11 5/8 H x 7 W x 5 1/4 D inches
Overview
Taylor | Graham once again joins a group of seventeen extraordinary Upper East Side dealers to participate in October Art Week. A walkabout reception will be held at the gallery building from 5-9 PM on October 25th. Visitors will also have the chance to explore neighbor galleries Didier Aaron and Hammer Galleries.
Posture & Posing
For any sculptor or painter, choosing a subject is often the first step in the process of creating a work of art. However, as an artist goes to execute a composition, his or her overriding concentration is on the pose. The artist concentrates on posture, movement, and the rhythm of how the piece lays out. These same attributes determine how we as viewers react to the finished work of art. It is in this context that we realize how critical the tilt of a head, height of an arm, or position of a leg can be—one slight quarter-inch shift in placement can make all the difference.