Gary Komarin is a contemporary American artist who was born in 1951 in New York. He is known for his unique and expressive abstract paintings that incorporate a range of techniques and materials and is characterized by a sense of energy, movement, and spontaneity, as well as a bold use of color and shape.
One of the most striking features of Komarin's paintings is his use of a limited color palette. His works often feature just a few dominant colors, which he applies with a loose and gestural brushstroke. This creates a sense of depth and texture, as well as a feeling of dynamism and movement. Komarin's paintings are often quite large, which allows the viewer to fully appreciate the interplay of color and form.
Another hallmark of Komarin's style is his use of various materials and techniques to create texture and depth in his paintings. He often incorporates elements such as sand, plaster, or other materials to create a tactile quality to his work. This creates a sense of physicality and adds an extra dimension to his paintings. Komarin also uses a range of brush techniques, from thick impasto to delicate glazes, to create a variety of textures and effects.
Belonging to a series, Vessel Bogota #3 is characterized by broad swaths of energetically applied color. The introduction of a shape are simultaneously strange and familiar. The improvisation and intuitive choices that form the foundation of Komarin’s artistic process give rise to these striking characteristics found in his canvases and works on paper. Through this approach, he allows the brush to play and create unexpected results, resulting in a dynamic and vibrant visual experience.
These thick, rough blue brushstrokes contrast with the rest of the painting. This artistic strategy skillfully directs the viewer’s focus towards the spontaneous and enigmatic interplay between line and color. Renowned as a master of abstraction, his artwork demonstrates a striking blend of influences, notably drawing inspiration from the Pop Art trend through the colors he used and the way he works in series on a same object.