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Deborah ButterfieldTango, 1987Welded steel29 x 39 1/2 x 16 inchesThis work is accompanied by a certificate of authentication issued by the Butterfield studio.
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Jasmina DanowskiClose of a Stormy Day, 2009Ink and gesso on paper48 x 84 inches,
Framed: 51 x 86 1/4Signed: Jasmine Danowski (verso)
Marked: Close of a stormy day / 48" x 84", 2009 / Gesso, Ink on Paper (verso)
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Hilton BrownHomage to the Immaculates, 1965Acrylic on canvas50 x 60 inches,
Framed: 51 1/2 x 61 1/2 x 3 inchesSigned: H Brown (verso), Marked: Homage to the / Immaculates / polymer / 1965-January (verso)
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Al Held65-A17, 1965India ink on paper22 1/2 x 35 inches,
Framed: 32 3/4 x 45 1/4 inchesSigned: Al Held 65 (verso)
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Donald R. PurdyCellist, circa 1960’sOil on masonite36 x 24 inches,
Framed: 46 x 34 inchesSigned: Purdy lower right
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Don TottenSpring, 1950'sOil on canvas24 1/2 x 22 inches,
Framed: 26 3/8 x 23 3/4 inchesSigned: D. Totten lower right
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Michael ForsterUntitled, 1988Acrylic on canvas35 7/8 x 45 1/4 inches,
Framed: 42 5/8 x 52 inchesmonogram and dated verso
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Mary McdonnellGold Stacks , 2019Oil on panel60 x 36 inchesSigned: Mary McDonnell / 2018-19 (verso)
Marked: "GOLD STACKS" (verso)
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Albert WeinMother’s Jewels, 1975Bronze on artist made green marble base15 x 8 1/4 x 5 1/2 inches
Base: 3 x 8 1/4 x 6 1/4 inchesSigned: Wein SC 1975 . © 87 2/12 TX [Tallix Foundry cypher] top of self-base
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Adja YunkersThe Second Dream of the Infanta Isabel, 1969Acrylic and collage on canvas63 x 47 1/2 inches,
Framed: 64 1/8 x 48 3/4 inchesSigned: Adja Yunkers (verso) and AY (verso), Marked: “The Second Dream / of the Infanta Isabel” / Acrylic - Collage / 1969 / 63 1/2 x 48” (verso)
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Domingo Ramos EnríquezSin Título, 1926Oil on burlap43 1/4 x 45 3/8 inches
Framed: 47 1/2 x 49 1/2 inchesSigned: Domingo Ramos 1926 lower right
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Aimé-Jules DalouLe Chasseur, c. 1898Bronze, dark brown patina25 1/8 x 12 1/4 x 11 inchesSigned: DALOU rear of self-base
Marked: Cire Perdue / A.A. Hebrard / (1)
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Bill BarrettUntitled, 2019Bronze11 1/2 x 12 3/4 x 6 3/4 inchesSigned: Bill Barrett 2019 on edge of one leg
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Carl HoltyUntitled #374, c. 1951Watercolor on paper9 x 12 inches,
Framed: 17 1/4 x 20 1/4 inchesUnsigned, Marked: Estate of Carl Holty Estate stamp verso
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Georges NoëlPur Palimpseste, 1961Powdered pigments, sand, and glue on canvas45 7/8 x 28 3/4 inches
Framed: 47 1/4 x 30 1/4 inchesSigned: Georges Noël 61 lower left and again on verso
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Carl HoltyRed, Gray, 1966Oil on canvas72 x 56 inches,
Framed: 74 1/4 x 58 1/4 inchesSigned: Holty lower left
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Jacques GermainComposition, 1989Oil on canvas36 x 29 inches,
Framed: 44 1/2 x 37 inchesSigned: J.G. 89 lower right
Marked: 30F JG 1989 TRKT [upside down] (verso on stretcher)
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François AubrunUntitled #831, 1966Oil on canvas30 x 30 inches,
Frames: 31 x 31 inchesSigned: Aubrun lower right
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Bessie Potter VonnohMother and Child, c. 1920Bronze10 1/8 x 4 x 3 3/4 inchesSigned: Bessie Potter Vonnoh (top of self base), Marked: No XXII top rear of self-base) Roman Bronze Works N-Y- (edge of self-base)
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André CottavozBouquet (#14), 1958Oil on canvas16 1/4 x 21 1/2 inches,
Framed: 23 x 28 1/4 inchesSigned: Cottavoz (lower right)
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Joseph MozierSpringtime, 1869White marble31 1/2 H inches 17 1/2 diameter inchesSigned and dated J, Mozier. Sc: Rome 1869
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Luigi LoirThe Evening’s GleaningsOil on panel11 1/4 x 16 inches,
19 3/4 x 24 1/2 inchesSigned: Loir Luigi lower right
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Ralph Della-VolpeHead to Sea, 2001Oil on board14 x 12 inches,
Framed: 17 x 15 inchesSigned: Della-Volpe lower left
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Léopold SurvageLa Maternité, 1942Casein on stepped panel construction26 x 22 1/2 inches,
Framed: 36 1/4 x 32 3/4 inchesSigned: Survage. / 10.2.42. lower right
Marked: Louis Maitre / 17/12/44 (verso)
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John HenryRed Cloud II, 2007Machined aluminum, painted red11’5” x 4’ x 4’ 3”Signed
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Charles Adrien Prosper d'ÉpinayLe CycloneWhite marble20 1/2 x 9 x 9 3/4 inches
Base: 9 inch diameterSigned: P. d’Epinay Inscribed: LE CYCLONE
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Ralph Della-VolpePortrait of a Flagmaker, 1965Oil on canvas43 3/4 x 63 3/4 inchesSigned: Della-Volpe center left
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Carl SchmittSewingPastel on paper17 x 14 1/8 inches Framed: 28 x 24 inchesSigned lower left
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Albert WeinDancing Girl, Modeled 1947-48, this cast 1987Bronze12 3/4 x 3 1/2 x 2Signed: WEIN SC along base, Marked: © ‘87 2/12 TX (Tallix Foundry mark) along base
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Carl HoltyUntitled, 1963-4Oil on canvas76 x 60 inches,
Framed: 78 x 62 inchesSigned: Carl Holty Estate signature stamp lower right and verso lower right
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Formento & FormentoSon Subin & LuluArchival pigment print20 x 30 inches, Framed: 21.7 x 31.7 inches
30 x 45 inches, Framed: 31.7 x 46.7 inches
40 x 60 inches, Framed: 41.7 x 61.7 inchesJapan Diaries series
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Ralph Della-VolpeStorm over the Bay, 1956Oil on canvas21 x 21 inches,
Framed: 23 x 23 inchesSigned: Della-Volpe lower left
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Robert TournièresFather and SonOil on canvas52 3/4 x 39 5/8 inches
Framed: 64 1/2 x 52 x 4 inches
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François AubrunUntitled #874, 2002Oil on canvas18 x 23 7/8 inches,
Framed: 19 5/8 x 23 3/8Signed: verso
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Carl HoltyColor Theory #562 Purple, Red, Blue, White, 1955Oil on canvas mounted on Masonite12 x 8 inches,
Framed: 20 x 17 inchesSigned: Holty Estate signature stamp lower right, Marked: 562 (verso) Andrew Crispo Gallery label (verso), Estate of Carl Holty stamp, verso
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John von WichtThe Ninth, 1963Oil on canvas86 x 49 5/8 inches,
Framed: 88 x 52 1/4 inchesSigned: V. Wicht lower left
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Carl HoltyColor Study #222Watercolor on paperSight size: 6 1/2 x 5 1/2 inches,
Framed:14 1/2 x 13 1/3 inchesSigned: Holty lower left, Marked: 222 (verso)
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William RushSelf Portrait (The Pine Knot Portrait), Modeled 1822, cast 1971Bronze20 x 18 x 10 inches
23 inches high overallStamped Pennsylvania Academy of the Fine Arts, (copyright) Kennedy Galleries 5/15
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Vasa Velizar MihichFour Columns #2856, 1987Acrylic98 inches high each; 3 1/2 x 6 1/4 inches,
Base: 5 3/4 x 37 x 16 inchesSigned: #2856 Vasa © 1987 (rear base of one column)
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