Framed: 40 1/2 x 51 3/4 inches
Marked: "Phenomena Michael's Diamond / 1975 (verso)
artist
Paul Jenkins is celebrated for his innovative approach to painting that intertwines chance and control. His technique of dribbling paint bears a striking resemblance to the methods of Jackson Pollock, with whom he shared a close personal and professional relationship. However, Jenkins distinguished himself by allowing the paint to roll, pool, and bleed onto loose canvas, creating dynamic compositions that evoke a sense of movement and fluidity.
Utilizing tools such as an ivory knife, Jenkins skillfully guided the flow of paint, a process he termed "controlled paint-pouring." This method enabled him to manipulate the pigments while still embracing the inherent unpredictability of the medium. The result is a striking interplay of transparency and translucence in his colors, particularly evident in his works from the 1950s, where hues seem to vibrate and interact with one another, enhancing the viewer's sensory experience.
provenance
Private collection, New York until 2023
Doyle New York, 3 March 2023