Overview
Paul Cornoyer, an American Impressionist artist, was born in St. Louis, Missouri in 1864. In 1881 he entered the St. Louis School of Fine Arts to study under the tutelage of Halsey C. Ives. At first he painted in a style most closely related to that of the Barbizon School. The first exhibition of his works was held in 1887. In 1889 he traveled to Paris to study further at the Académie Julien with Jules Lefebre, Louis Blanc and Benjamin Constant. While Cornoyer was in Paris, he also traveled to London and to Venice. During this time he was exposed to French Impressionism and thus began to paint landscapes and cityscapes in a more fluid, tonal and lyrical style which reflected his own conservative interpretation of this artistic movement. He returned to his home in St. Louis in 1894 and that same year painted a mural at the Planters Hotel which depicted the birth of St. Louis. There is little information concerning his work during the next six years with the exception of the creation of a triptych entitled A View of St. Louis which became synonymous with the city of St. Louis and its depiction as the Gateway to the West.
In 1899 the artist William Merritt Chase, impressed with the work of Paul Cornoyer which he had seen in Paris, encouraged him to leave St. Louis and to travel to New York City. It was in New York City that Cornoyer created the urban cityscapes for which he is best known. His canvases were tonal depictions of street scenes especially after a rainfall. He was able to capture the essence of city life with its stark pavements, horse drawn carriages with drivers and passengers, as well as tree lined streets, and tall buildings. While in New York City Cornoyer took time to teach at the Mechanics Institute. He met other artists such as Childe Hassam, J. Alden Weir, Thomas Dewing and John Henry Twachtman who introduced him to the art school schools in Rockport, Gloucester, and other parts of New England. In 1917 he moved permanently to Massachusetts and established his studio in East Gloucester. In 1922 he was instrumental in founding the Glouester Art Association which later became the North Shore Arts Association. He was a mainstay of the Cape Ann School of Painting where he often taught. He was highly regarded as one of the best art instructors of his time. Cornoyer continued to paint and to exhibit his works until his death on June 17, 1923.
Associations
Allied Artists of America, President and Co-Founder
Boston Art Club
Gallery on the Moors
National Academy of Design, Member 1909
National Arts Club
National Society of Arts and Letters
Newark Art Association
North Shore Arts Association, Co-Founder
Salmagundi Club, 1902
Society of Western Artists
Woodstock Artists Association
Exhibitions
American Art Association of Paris, 1892 (prize)
Paris Art Salon, Paris, 1892 (prize)
St Louis Association of Painters and Artists, 1895 (gold)
Pennsylvania Academy of Fine Arts, 1896-1919
Salmagundi Club, 1905 (prize), 1906 (Inness Prize), 1908 (prize)
Boston Art Club, 1907, 1909
Corcoran Gallery, Washington DC, 1907-1910
Albright Museum, Buffalo, 1908
Panama-Pacific Exhibition of 1915
Philadelphia Art Club, 1917
Art Institute of Chicago
National Academy of Design
Museums and Public Collections
Brooklyn Institute Museum, NY
Butler Institute of American Art, Ohio
Dallas Museum of Art, Texas
Hickory Museum of Art, North Carolina
High Museum of Art, Georgia
Joslyn Art Museum, Nebraska
Kansas City Museum of Fine Art, Missouri
Museum of the City of New York
Newark Art Association, New Jersey
Newark Museum, New Jersey
Seattle Art Museum, Washington
Smith College Museum of Art, Massachusetts
Smithsonian Museum of American Art, Washington, DC
St. Louis Art Museum, Missouri
Westmoreland Museum of American Art, Pennsylvania
Yale University Art Gallery, Connecticut