Regis-Francois Gignoux
French, 1816–1882Please contact us to inquire about upcoming acquisitions or to sell a work.
Overview
Régis François Gignoux (1816-1882) was a French-born American landscape painter whose long career in the United States placed him within the circle of the Hudson River School and made him one of the most important European-trained landscapists working in mid-nineteenth-century America. Born in Lyon, France, he trained at the École des Beaux-Arts in Paris under Paul Delaroche, one of the great academic masters of the period. This rigorous French education gave him a technical polish and compositional discipline that would set him apart within the American art community.
Gignoux emigrated to the United States in 1840, settling in Brooklyn and quickly establishing himself within the New York art world. He became a naturalized American citizen and served as a founding member and later president of the Brooklyn Art Association, an important institution in the cultural life of the growing city. His pictures found ready audiences among American collectors who admired his French finish combined with his warm engagement with American landscape subjects.
Gignoux was particularly celebrated for his winter landscapes, and his snowy views of the American countryside are among his most distinctive contributions to nineteenth-century American painting. He also produced numerous scenes of Niagara Falls, the Adirondacks, the White Mountains, and the pastoral landscapes of the Hudson Valley. His most significant contribution to the American art tradition may have come through his teaching, and his most famous student was George Inness, who would go on to become one of the greatest American landscape painters of the nineteenth century. He also taught the accomplished Southern painter Louis Rémy Mignot.
Gignoux returned to France in 1870 and lived out the rest of his life in Paris, where he died in 1882. His paintings are held today in major American museums, where they remain vital documents of the transatlantic landscape tradition.