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Pierre WemaëreLes Couisines no. 2, 1998Acrylic and India ink on paper39 x 27 1/2 inches,
Framed: 46 1/2 x 35 inchesSigned: P Wemaere 98 lower right
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Pierre WemaëreHippo, 1992Oil and acrylic on canvas25 1/2 x 36 1/4 inches,
Framed: 28 1/2 x 38 1/2 inchesSigned: P. Wemaere 92 lower right and P. Wemaere 92 (verso), Marked: “Hippo” (verso)
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Pierre WemaëreAvant La Fete, 1991Oil and acrylic on canvas13 x 18 inches,
Framed: 21 3/4 x 26 1/2 x 2 1/2 inchesSigned: P Wamaere 91 lower left and P. Wemaere (verso), Marked: Avant la Fete (verso)
Overview
Born to a bourgeois family in Flanders, Wemaere began painting in 1933 in a figurative mode. Beginning in 1936, under the tutelage of Léger and working in his studio, Wemaere adopted his teacher’s tendency toward simplified, geometricized forms. In 1937 he collaborated with fellow pupil Asger Jorn, who would become his close friend, to realize a commission for the International Exhibition in Paris. Not only did they work together on numerous projects under their teacher, but they also extended their collaboration to later include monumental works of their own, including both paintings and tapestries. The two exhibited together for the first time in Copenhagen in 1938, and their friendship would last until Jorn’s death in 1973.
Wemaere’s style bears the distict marks of Nordic inspiration combined with French temperament. Finding Léger’s linearity and mechanical style unsuited to his own work, Wemaere turned instead to the surrealist work of Miró and the abstractions of Paul Klee for inspiration. Floating elements, winding lines, and composite abstract and figurative forms are revealed through Wemaere’s mastery of color. Stylistically similar to the Abstract Expressionists, Wemaere utilized impasto and a bold palette to transpose forms that were simultaneously impetuous and restrained. He was inscribed into the canon of the avant-gardes after exhibiting at the 1939 show Réalités Nouvelles at the Galerie Charpentier. In the midst of World War II, Wemaere was invited to New York City by Solomon Guggenheim in 1940, but was forced to decline the invitation after being sent to the front; his experience in the war would monumentally alter the nature of his work. Afterwards, he exhibited regularly in prestigious spaces throughout Europe, alongside artists including Jorn, Dubuffet, and Fontana.
Selected Solo Exhibitions
1938 Â Â Â Â Galerie Dam et Fonss, Copenhagen
1957 Â Â Â Â Galerie Paul Facchetti, Paris
1960Â Â Â Â Â Galerie des 4 Saisons, Paris
1961 Â Â Â Â Galerie Birch, Copenhague
1963     Musée de Silkeborg, Denmark; Galerie Rive Gauche, Paris; Galerie Jysk Kunst, Aarhus Denmark
1964 Â Â Â Â Galerie Rive Gauche, Paris
1966Â Â Â Â Â Galerie Birch, Copenhague;Â Chateau de Flavignerot, Dijon
1968 Â Â Â Â Les Cimaises Ventadour, Paris
1969 Â Â Â Â Galerie Moderne Silkeborg, DenmarkÂ
1970 Â Â Â Â Galerie Moderne Silkeborg, Denmark
1971     Rétrospective Musée de Randers, Denmark
1973     Musée de Randers, Denmark
1974 Â Â Â Â Galerie Moderne Silkeborg, Denmark
1975 Â Â Â Â FIAC, Galerie Riedel, Paris
1977 Â Â Â Â Kunstforum, Gand, Belgium;Â Galerie Trudvang, Larvik, Norway
1980 Â Â Â Â 40 ans de peinture, large retrospective rue Saint-Martin, Paris
1981     Grands formats, Maison de la culture d'Amiens
1983 Â Â Â Â Galerie Riedel, Paris
1989 Â Â Â Â Galerie Galise Petersen, Thonon les Bains
1990Â Â Â Â Â Galerie Philippe Vichot, Paris
1991Â Â Â Â Â Galerie de l'Arcade, Paris;Â Galerie Galise Petersen, Thonon les Bains
1993    80 ans de l'artiste, Galerie Moderne Silkeborg, Denmark       Â
1997Â Â Â Â Galerie Egelund, Copenhagen
1998    Couvent des Cordeliers, City of Paris, retrospective 1938-1998; Musée de Silkeborg, Danemark et Galerie Moderne Silkeborg, Denmark  Â
2000    Petit Palais, Paris Le Long Voyage, tapestries Jorn/Wemaëre; Musée de Silkeborg, Denmark and Galerie Moderne Silkeborg, Denmark  Â
2001/02 Musée Jean Lurçat et de la tapisserie contemporaine, Angers retrospective tapestries and paintings
2003   Musée de Silkeborg, Denmark;Galerie Moderne Silkeborg, Denmark  Â
2004 Â Â Â Espace Johnson & Johnson, Paris
2005    Kouros Gallery, New York;Fair Art Paris 2005, Galerie Guillaume Fondation Gl. Holtegaard, Copenhagen; Galerie Egelund, Denmark; Silkeborg Kunstmuseum, Denmark; Galerie Moderne Silkeborg, Denmark
2006 Â Â Â Kouros Gallery, New York
2007 Â Â Â Nico-Koster-Galerie Moderne, Amsterdam;Â Galerie Guillaume, Paris;Â Galerie Moderne Silkeborg, DenmarkÂ
2008    Silkeborg Kunstmuseum, Denmark    Â
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Museums and Public Collections
Museum of Modern Art, Paris
Centre Georges Pompidou
Aarhus Kunstmuseum, Denmark
Roubaix, La Piscine
National Gallery of Victoria, Australia
Museum Jorn, Silkeborg
Hurrle Museum, Durbach, Germany
Museum of Fine Arts, Angers